I’ve gone back and specifically focused on the DVD encodes for two reasons: 1). Nana Visitor’s reaction to the DVD source quality… or a very lucky pause on my part. The goal of the Deep Space Nine Upscale Project (DS9UP) is to create a version of Star Trek: Deep Space Nine worth watching in the modern era of 4K and HD televisions and monitors.

I and some other groups of people are availing ourselves of them. I think the work deserves to be done, even if Paramount disagrees. There’s a lot of noise in certain frames and some visible compression artifacts in others. I’d love to be using MakeMKV.

If you rip the DVD using Handbrake’s detelecine option, it will solve the half-frame flicker, but at the cost of introducing additional aliasing that wasn’t present before. For the first time in my entire career, the tools to fix problems like this have become available to ordinary people. My understanding of Deep Space Nine has evolved over the months I’ve worked on the show. © 1996-2020 Ziff Davis, LLC. Some of the articles I’ve written contain factual errors regarding how the DS9 DVDs were mastered. I’m not tackling this project because I think I’m somehow immune to the Dunning-Kruger effect. Until I started working on this episode, I never thought about how space combat evolved from Star Trek: The Next Generation to DS9. Despite the ongoing pandemic, I’ve kept the Cascade Lake testbed and RTX 2080 crunching busily away, testing various permutations. For best quality, change both videos to top available playback source. While the ‘Artemis’ AI upscale algorithm is malfunctioning in both clips, it’s malfunctioning much less when given more source material to work with. When there are questions about what maximum quality settings are, encode all of the likely options simultaneously. I haven’t been able to find my DVDs, so I bought Season 6 brand-new and started working with that source. One of our readers, Shortstick, has contacted me to show off some of his own color grading work on DS9, with impressive results: We are looking into how to combine efforts and further improve the show. This site may earn affiliate commissions from the links on this page. 1). This is what 3:2 pulldown looks like. The Morning After: Mobile video service Quibi launches today, Music streaming subscriptions grew by nearly a third in 2019, Apple TV Channels offers free Epix until May 2nd without signing up, AMC's free streaming TV includes 'The Walking Dead' and 'MST3K', Apple's new iPad Air returns to an all-time low on Amazon, Astronomers observe fast radio bursts in our galaxy for the first time, T-Mobile will pay $200 million to settle Sprint's alleged Lifeline abuse, Netflix confirms it's adding playback speed controls to its Android app. The reason I’m not sure how long it actually takes is that I typically run between 4 – 10 source encodes simultaneously with an upscale in the background. On TNG, battle is almost stately, with large ships firing at each other from static positions. I still believe it does, but guys, I have to tell you — the baseline DS9 source sucks. The final upscaling and filter application process must be as simple as possible, to increase the likelihood people can follow it.

Misaligned audio/video at the beginning of a stream.2).

We need every single scrap of data for upscaling (our results bear out the importance of this in several spots). This newsletter may contain advertising, deals, or affiliate links. Err on the side of caution.

I’m creating a legal route for individuals to upscale a TV show they already own. The result is 70-80 percent of what I think is likely possible, best-case. We strongly encourage you to read our updated PRIVACY POLICY and COOKIE POLICY. If you want a one-and-done solution and you aren’t bothered by the occasional half-frame, it’s a great option and I recommend it. Ripping the VOBs directly is possible — and this solves the audio sync problem — but this also forces the show into all one frame rate or the other. You’re literally seeing half a frame of information, which is why every other line is blank. The decision to introduce the Defiant and to make it a small ship completely changed the rhythm and flow of space combat. Give me an email or sound off below. What I don’t want to do is leave stories littered with half-explained workflow questions that represent discarded branches of research. I had hoped that the DVD source would offer a better upscaling alternative than using already-encoded MKVs. If you have questions, feel free to drop me a line. Currently, it relies on multiple pieces of paid software and the source is encoded more than I like. I’ve also been forced to use Handbrake as an initial ripper rather than MakeMKV due to persistent problems with audio/video muxing. Encode the entire episode at once, for easier spot comparison of any area.

Both systems have been excellent, but the 3990X is particularly good at running many encodes in parallel. Got ideas or tips for using AviSynth? DS9 didn’t just add more ships; it showed those ships doing more things, with background battles often as dramatic as the foreground shots. I watched this show when it was broadcast on cable, on a new 24-inch TV my parents had just bought.

After processing via AviSynth, I upscale the application in Topaz VEAI.

About 600GB of renders at 3-8GB each. I’m taking it on because DS9 is 27 years old and nobody has done it yet. But Paramount has no plans to upgrade DS9 itself, and that means the only way to restore the TV show to some semblance of how it could look is with a lot of elbow grease, filter testing, and one exhausted RTX 2080.



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